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3 November 2024
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NEUMANN 576567 ELASTIC SPARE For EA 1, light grey, pack of 2

Artikelnummer
92-880
Hersteller
Neumann
Typennummer
  • 576567
Farbe
  • Light GreyLight Grey
NEUMANN 576567 ELASTIC SPARE For EA 1, light grey, pack of 2
NEUMANN 576567 ELASTIC SPARE For EA 1, light grey, pack of 2

Bestellangaben

MwSt. / Versand
17,94 €
pro Stück (zzgl. MwSt.)
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NEUMANN MICROPHONES - Studio - Large diaphragm, condenser

Neumann large-diaphragm microphones are renowned their quality when used for professional and semi-professional recording and broadcast applications. This range of microphones have either fixed or variable polar patterns to suit microphone positioning and the pick-up pattern required.

TLM Series

TLM 102

Available in nickel or black finish, and in Studio Set variants that include EA 4/EA 4 BK shock mounting suspension. TLM 102 has been designed for broadcast, voice over, home and professional studio, and live environments, and is said (by Neumann) to be 'beautifully balanced sound for silky vocals, crisp guitars and powerful drums'. A cardioid pickup pattern and 20Hz to 20kHz frequency response, with a slight lift around 10kHz, along with a 'well-controlled' proximity effect enables the user to capture the character of the subject, whilst a self-noise level of 12dB-A is low in comparison to the ambient noise of a quiet room. The microphone is often used for male or female vocals, electric guitar, bass guitar, double bass, percussion, brass and saxophone, aided by a dynamic range of 132dB and maximum SPL of 144dB.

Spare and accessories: SG 2 stand mount, EA 1 elastic suspension, EA 1 MT elastic suspension, EA 4 shock mount, EA 4 MT shock mount, WS 2 windshield.

Variants
TLM 102 A TLM 102 microphone with nickel finish and SG 2 swivel mount.
TLM 102 BK A TLM 102 BK microphone with black finish and SG 2 swivel mount.
TLM 102 Studio Set This set includes the TLM 102 microphone with nickel finish, and EA 4 elastic suspension mount in place of SG 2 mount.
TLM 102 BK Studio Set This set includes the TLM 102 BK microphone with nickel finish, and EA 4 BK elastic suspension mount in place of SG 2 mount.

TLM 103

Available in nickel and black along with Studio Set versions, this pressure-gradient, large diaphragm, cardioid, condenser microphone has been designed for applications including broadcast, voiceover, home studio, live sound, concert hall, or recording studio. The capsule has been derived from the popular U 87 Ai and is 'acoustically well-balanced' and often preferred for vocal recording, broadcast announcing, or for instruments such as wind, strings, percussion and overhead drum positioning. A frequency response of 20Hz to 20kHz is offered, with a flat frequency response up to 5 kHz and a wide, flat, presence boost of 4dB above that. A wire mesh protects the capsule as well as offers resistance to plosives and pop noises. A Neumann SG 2 swivel mount is included in standard versions, or EA 1/EA 1 MT with Studio Sets. Both mounts are designed for use with a compatible microphone stand. The microphone has a 3-pin XLR connector and requires +48V phantom power.

Spare and accessories: SG 2 swivel mount, EA 1 elastic suspension, EA 1 MT elastic suspension, WS 82 windshield.

Variants
TLM 103 A TLM 103 microphone with nickel finish and SG 2 swivel mount. The product is furnished with wooden box.
TLM 103 MT A TLM 103 microphone with black finish and SG 2 swivel mount. The product is furnished with wooden box.
TLM 103 Studio Set This set includes the TLM 103 microphone with nickel finish, and EA 1 elastic suspension mount in place of SG 2 mount.
TLM 103 MT Studio Set This set includes the TLM 103 MT microphone with nickel finish, and EA 1 MT elastic suspension mount in place of SG 2 mount.

TLM 107

Available in nickel or black finish, and in Studio Set variants that include shock mounting suspension; TLM 107 has been designed for use in broadcast, voice over, home or professional studio, live event or concert hall environments. A dynamic range of 131dB allows the TLM 107 to capture 'anything from a slight whisper to massive drums without unwanted noise or distortion'. The microphone can be switched between five polar patterns including omnidirectional, wide angle cardioid, cardioid, hypercardioid, and figure-8. The navigation toggle on the back of the microphone allows control over settings including 0/-6/-12dB pad, linear/40Hz/100Hz low cut, and the afore mentioned polar patterns.

Spare and accessories: SG 2 stand mount, EA 1 elastic suspension, EA 1 MT elastic suspension, EA 4 shock mount, EA 4 MT shock mount, WS 47 windshield.

Variants
TLM 107 A TLM 107 microphone with nickel finish and SG 2 swivel mount. The product is furnished with wooden box.
TLM 107 BK A TLM 107 BK microphone with black finish and SG 2 swivel mount. The product is furnished with wooden box.
TLM 107 Studio Set This set includes the TLM 107 microphone with nickel finish, and EA 4 elastic suspension mount in place of SG 2 mount.
TLM 107 Studio Set BK This set includes the TLM 107 BK microphone with nickel finish, and EA 4 BK elastic suspension mount in place of SG 2 mount.

TLM 193

This black, large diaphragm, cardioid, condenser microphone is aimed at professional and semi-professional recording of vocals and instruments where close-positioning to high sound pressure levels is required, having a capability of handling sound pressure levels up to 140dB without distortion. It is supplied in a wooden box along with Neumann SG 2 swivel mount. A wire mesh grille protects the capsule as well as offers resistance to plosives and pop noises. The microphone has a 3-pin XLR connector and requires +48V phantom power.

Spares and accessories: SG 2 swivel mount, EA 1 MT elastic suspension, WS 89 windshield.

TLM Series Specifications
TLM 102 TLM 103 TLM 107 TLM 193
Acoustical operating principle Pressure gradient transducer Pressure gradient transducer Pressure gradient transducer Pressure gradient transducer
Directional Pattern Cardioid Cardioid Omni, wide angle cardioid, Cardioid
cardioid, hypercardioid, figure-8
Frequency Range 20 Hz - 20 kHz 20 Hz - 20 kHz 20 Hz - 20 kHz 20 Hz - 20 kHz
Sensitivity at 1 kHz into 1 kohm 11 mV/Pa 23 mV/Pa 11 mV/Pa 18 mV/Pa
Rated Impedance 50 ohms 50 ohms 50 ohms 50 ohms
Rated load impedance 1 kohms 1 kohms 1000 ohms 1 kohms
Equivalent noise level, CCIR 21 dB 17.5 dB 22 dB 21 dB
Equivalent noise level, A-weighted 12 dB-A 7 dB-A 10 dB-A 10 dB-A
Maximum SPL for THD 0.5% 144 dB 138 dB 141 dB 140 dB
Signal-to-noise ratio, CCIR (1) 73 dB 76.5 dB 72 dB 73 dB
Signal-to-noise ratio, A-weighted (1) 82 dB 87 dB 84 dB 84 dB
Maximum output voltage 13 dBu 13 dBu 10 dBu 13 dBu
Supply voltage (2) 48 V +/-4 V 48 V +/-4 V 48 V +/-4 V 48 V +/-4 V
Current consumption (2) 3.5 mA 3 mA 3.2 mA 3 mA
Matching connector XLR 3 F XLR 3 F XLR 3 F XLR 3 F
Weight approx. 210 g approx. 450 g 445 g approx. 480 g
Diameter 52 mm 60 mm 64 mm 49 mm
Length 116 mm 132 mm 145 mm 175 mm

Notes: (1) re. 94dB SPL. (2) P48, IEC 61938.

U Series

U 87 Ai

This microphone is a Neumann classic best-seller and is available in either nickel or black finish, and in Studio Set versions that include the elastic suspension mount. The polar pattern is variable; omni directional, cardioid and figure-of-eight patterns can be set using a switch located below the mesh grille. There are also switches to apply 10dB attenuation and LF roll-off to frequencies below 1kHz. Applications include 'spot' placement for instruments such as wind, string, piano and percussion, 'overhead miking', and vocal recording. The U87 Ai is capable of handling sound pressure levels up to 127dB without distortion. The microphone has a 3-pin XLR connector and requires +48V phantom power. It is supplied in wooden box.

Spares and accessories: EA 87 elastic suspension, EA 87 MT elastic suspension, WS 87 windshield.

Variants
U 87 Ai A U 87 Ai microphone with nickel finish. The microphone is furnished with wooden box.
U 87 Ai MT A U 87 Ai microphone with black finish. The microphone is furnished with wooden box.
U 87 Ai Studio Set This set includes the U 87 MT microphone with nickel finish, together with an EA 87 MT elastic suspension mount. A wooden box houses the microphone, with the suspension included in the outer cardboard packaging.
U 87 Ai MT Studio Set This set includes the U 87 MT microphone with black finish, together with an EA 87 MT elastic suspension mount. A wooden box houses the microphone, with the suspension included in the outer cardboard packaging.

U 89 i

With similar shape to the U 87 Ai, but a little smaller, the U 89 I is available in nickel or black finish. Five polar patterns, omni directional, wide cardioid, cardioid, hyper-cardioid and figure-of-eight are available to suit most studio applications, such as instrument 'spot' pick-up and voice reproduction. This versatile microphone offers a frequency response of 20Hz to 20kHz with the option of a two-stage, LF roll-off filter to reduce frequencies below 80Hz or 160Hz. Use of the 6dB attenuator switch takes the maximum sound level, for 0.5% THD to 140dB - more than the peak sound pressure level immediately in front of a trumpet. The microphone has a 3-pin XLR connector and requires +48V phantom power.

Spares and accessories: EA 89 A elastic shock mount, SG 289 stand mount, WS 89 windscreen.

Variants
U 89 i A U 89 i microphone with nickel finish. The microphone is furnished with wooden box.
U 89 i MT A U 89 i microphone with black finish. The microphone is furnished with wooden box.
U Series Specifications
U 87 Ai U 89 i
Acoustical operating principle Pressure gradient transducer Pressure gradient transducer
Directional Pattern Omnidirectional, cardioid, Omnidirectional, wide angle,
figure-8 cardioid, hypercardioid, figure-8
Frequency Range 20 Hz - 20 kHz 20 Hz - 20 kHz
Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa ± 1 dB (Omni/cardioid/8) 8 mV/Pa = −42 dBV ± 1 dB
Rated Impedance 200 ohms 150 ohms
Rated load impedance 1 kohms 1 kohms
Equivalent noise level, CCIR 26/23/25 dB (Omni/cardioid/8) 28 dB
Equivalent noise level, A-weighted 15/12/14 dB-A (Omni/cardioid/8) 17 dB-A
Maximum SPL for THD 0.5% 117 dB (cardioid) 134 dB
Maximum SPL for THD 0.5% with preattenuation 127 dB 140 dB
Signal-to-noise ratio, CCIR (1) 68/71/69 dB (Omni/cardioid/8) 66 dB
Signal-to-noise ratio, A-weighted (1) 79/82/80 dB (Omni/cardioid/8) 77 dB
Maximum output voltage -6 dBu 0.3 dBu
Supply voltage (2) 48 V ± 4 V 48 V ± 4 V
Current consumption (2) 0.8 mA 0.8 mA
Matching connector XLR 3 F XLR 3 F
Weight 500 g 400 g
Diameter 56 mm 46 mm
Length 200 mm 185 mm

Notes: (1) re. 94dB SPL. (2) P48, IEC 61938.