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18 Februar 2025
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GLENSOUND BELLA 32/R CONFIDENCE MONITOR 34-input, 2 loudspeakers, Ravenna/AES57, 1U rackmount

Artikelnummer
95-9009
Hersteller
Glensound
Typennummer
  • BELLA 32/R
  • BELLA 32
GLENSOUND BELLA 32/R CONFIDENCE MONITOR 34-input, 2 loudspeakers, Ravenna/AES57, 1U rackmount
GLENSOUND BELLA 32/R CONFIDENCE MONITOR 34-input, 2 loudspeakers, Ravenna/AES57, 1U rackmountGLENSOUND BELLA 32/R CONFIDENCE MONITOR 34-input, 2 loudspeakers, Ravenna/AES57, 1U rackmountGLENSOUND BELLA 32/R CONFIDENCE MONITOR 34-input, 2 loudspeakers, Ravenna/AES57, 1U rackmount

Bestellangaben

MwSt. / Versand
3.034,50 
pro Stück (zzgl. MwSt.)
Dieses Produkt wird speziell für Ihre Bestellung eingekauft, lieferbar in 4‑6 Wochen. Brauchen Sie diesen Artikel schneller? Rufen Sie uns an

GLENSOUND AUDIO MONITORS

A range of analogue or Dante network audio monitors that have been designed for use in outside broadcast trucks, studios, theatre and professional audio applications.

GS-MON004 - Analogue - 8 inputs, 4 loudspeakers

BELLA 4 - 4 inputs, 4 loudspeakers

BELLA 22 MKII - 22 inputs

BELLA 32 - 32 inputs

Bella 32 is a 2-bus summing matrix confidence monitor designed for outside broadcast trucks, studios, theatre and professional audio applications. It has been designed for easy and cost-effective monitoring of multiple network audio sources in production environments and for monitoring multiple network intercom and programme feeds.

Bella 32 is available with Dante network protocol, or Ravenna protocol as Bella 32/R.

The two front panel loudspeakers are driven from a DSP to compensate for their size, resulting with ‘clear, crisp vocals and highly intelligible reproduction of wider band audio sources’. A class D amplifier drives the speakers with sufficient output level for most environments.

Bella 32 has a total of 32 network audio inputs, with each input having its own illuminated front panel selection switch and presence indicator. In addition to the 32 network audio inputs there are two mono line level balanced inputs available on rear panel 3-pin Neutrik XLRs. These two inputs have their own front panel selection switches and presence indicators. Each input has its own channel on/off switch that also acts as a solo selector. These switches are bright yellow illuminated push switches and operate in two ways: 1) a short press turns the channel on/off or a long-hold solos that channels inputs; 2) the switches are also used for panning and input gains of the channels. Each input can be panned between the left and right loudspeaker outputs. Whilst being panned the bottom of the two front panel PPMs indicates the current panned position making very easy for an operator to setup.

Each of the 34 input channels can have its input gain adjusted to suit, and whilst the gain is being adjusted the bottom of the two front panel PPMs indicates the current gain position making very easy for an operator to setup. In order to allow the operator to quickly identify which of the 34 audio inputs are currently active, green presence LEDs are provided next to each channels select switch. The channel’s LED will only illuminate if the incoming audio level is above -28dBFs and to prevent lots of annoying flashes as programme levels change the presence LED stays on for 3 seconds after the input drops below the on threshold.

A front panel shaft encoder acts as the overall volume/ level control. This adjusts the overall output level to the loudspeakers, headphone and main mix outputs. The bottom of the two PPMs indicates its current gain state as it is turned to enable an operator to immediately and intuitively see their current volume setting. Front panel illuminated switches are provided to Cut and Dim the outputs. External GPI loop inputs are also provided to allow the outputs to be cut or dimmed from external switches.

A front panel 6.35mm stereo headphone jack socket is provided to allow the operator to monitor the Bella’s output on headphones. Plugging in a pair of headphones automatically cuts the loudspeaker and analogue mix outputs.

Three balanced line level XLR analogue outputs are provided on the rear panel. There is a left and right output of the main mix/solo and a mono output (which is a sum of the left and right outputs). These outputs are all post front panel level control and Dim and Cut circuits. A balanced AES3 output is also provided. This is the left and right output mix/solo. There are three sets (left/right/mono) of mix outputs sent to the Dante/AES67 network. These are post front panel select/solo switches and also post-input gain and panning circuits. They are also post output volume control. One set of outputs is post dim and cut, another is pre dim and cut whilst the third is post dim but pre-cut. In addition to the above there are 3 sets of post front panel select switch outputs (but pre-gain/pan/dim/cut).

The three outputs are:
1) Mix out of Dante/Ravenna inputs 1 - 12
2) Mix out of Dante/Ravenna inputs 13 - 24
3) Mix out of Dante/Ravenna inputs 25 - 32 + Analogue inputs 1 and 2
Note: Dante or Ravenna depending on model.

As well as the above Dante/AES67 network mix outputs there are a further 12 fixed-ratio, permanently-on mix outputs being sent to the network. These can be especially useful to help build large network audio systems.

Network protocol: Dante, Bella 32; Ravenna, Bella 32/R. AES67: Compliant. DDM: Certified. Channel input gain: +21 to -21dB. Loudspeaker/headphone gain: +10.6dB to off. Analogue input impedance: Greater than 20kOhms. Input frequency response: 22Hz to 22kHz, greater than or equal to 0.5dB. Headphone impedance: 100-1000Ohms. Maximum headphone level: +17dBu, into 600ohms. Weight: 1800g

Included items: 1x 2m RJ45 cable, handbook (download also available), IEC mains cable