DPA 4061 CORE STEREO MICROPHONE KIT With 4061, black

4097 CORE INTERVIEW KIT

The DPA CORE Interview Kit allows sound engineers to obtain high quality audio whilst retaining distance between engineer and subject. A Manfrotto boompole extends to 140cm and holds the 4097 CORE mini shotgun gooseneck microphone via the included CS4099 cold shoe mount. When collapsed the kit is around 40cm in length and 330g in weight.

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The included 1.8m MicroDot cable links the microphone capsule to the handle of the boompole, whereby a bodypack transmitter can be attached using the included plate and hook and look system. Various optional MicroDot adapters are available to suit a variety of transmitter connection types. The transmitter plate can also be attached to the base end of the boompole if preferred.

4099 CORE Classic Touring Kit

DPA Classic Touring Kit is a complete set of microphones that have been 'optimised for classic acoustic instruments'. The kit is available with or without Peli case (models with '-C' suffix), and with either 4x or 10x microphones that can be used to close-mike most instruments, along with a variety of mounting clamps to suit those instruments.

4099 CORE Rock Touring Kit

DPA Rock Touring Kit has been designed 'for live rock band performances'. The kit is available with or without Peli case (models with '-C' suffix), and with either 4x or 10x microphones that can be used to close-mike extremely loud instruments including drums, brass, and guitar cabs, along with a variety of mounting clamps to suit those instruments.

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DDK4000 - Drum Microphone Kit

This selection of microphones has been designed specifically to put the sound engineer in control of the drum sound. DPA suggest the engineer has the best starting point to shape the sound wanted for the situation by having a 'clear, true sound' from the microphone source.

DLK4000 - Ultimate Live Kit

With 20 mics and capsules together with a multitude of useful accessories, your live stage set up will never sound better.

DSK4001 - Studio Microphone Kit

This kit is designed for use in a home studio or small recording studio and includes some of DPAs 'most prestigious' condenser microphones. This medium-sized microphone kit contains DPA microphones for recording vocals, close miking instruments, and pencil mics for spot-miking instrument groups. DPA Studio Microphone Kit has a wide variety of clips and holders and is apt for recording bands, recording vocals or most other things in between.

DRK4001 - Ultimate Recording Kit

Seen as DPA's flagship microphone bundle, the Ultimate Recording Kit is designed for studio recording. The Peli case houses three layers of product including some of the highest quality DPA microphones, along with an extensive array of mounts, clips and other accessories.

DLS4000 - Location Sound Kit

DPA’s Location Sound Microphone Kit comprises of the microphones required for 'all location recording needs'. The kit includes shotguns for booming, micro shotguns for discreet plant miking, and a range of lavaliers for close miking the talent. DPA have chosen each condenser microphone in the kit based on the input of professional sound engineers working within film and broadcast. In addition to the microphones, the kit includes over twenty extra cables, holders, concealers, adapters, clips and other accessories.

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5006-11A

5006-11A Surround Kit combines three 4006A omnidirectional microphones and two 4011A cardioid microphones, carefully factory-matched within +/-1dB to achieve full precision. The specially-selected 4006A microphones are matched within +/-0.5dB on both frequency response and sensitivity. The 4011As are matched within +/-1dB. The natural sound, high sensitivity, low noise-floor and 'extremely' linear frequency response from 10Hz to 20kHz (+/-2 dB) of the microphones make the 4006A omnidirectional microphones ideal for all AB Stereo, Decca Tree or surround main array recordings.

5006A

5006A is a complete surround kit with 5x factory-matched 4006A omnidirectional microphones. The selected 4006A microphones are matched within +/-0.5dB on both frequency response and sensitivity from mean of set. The natural sound, high sensitivity, low noise-floor, and 'extremely linear' frequency response from 10Hz to 20kHz (+/-2dB) of the microphones make the 4006A omnidirectional mics ideal for all AB Stereo, Decca Tree or surround main array recordings.

5015A

5015A is a complete surround kit with 5x factory-matched 4015 wide cardioid microphones. The microphones are matched within +/-1dB on both frequency response and sensitivity from mean of set. The natural response and dynamic range of this surround kit aid recording orchestras or other acoustic instruments, whilst the kit is also an apt solution for AB, Decca Tree or surround main arrays.

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